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Mercedes-Benz Design – Aesthetics A: “The days of creases are over.” Dawn of a more rigorous implementation of “sensual purity”.

“The days of creases are over.” – Aesthetics A.

Dawn of a more rigorous implementation of Sensual Purity.

Reconciling tradition and modernity.

The designers at Mercedes-Benz are reconciling tradition and modernity in designing the cars for the future. Their work centres on Sensual Purity as an expression of modern luxury. In applying this design philosophy, Mercedes-Benz sparked a transformation in design with the current A‑Class, launched in 2012. The new design idiom featuring edges and creases – indentations and recesses in the sheet metal – aimed to create clear forms and sensual surfaces which showcase high tech while also arousing emotions. This played a decisive role in making the brand younger and was key to the company’s excellent sales results.

Aesthetics A: The designers at Mercedes-Benz are reconciling tradition and modernity in designing the cars for the future.
Aesthetics A: Design is also the art of omission – the days of creases are over.

“The days of creases are over.”

“Form and body are what remain when creases and lines are reduced to the extreme. We have the courage to implement this purism,” says Gorden Wagener, Chief Design Officer Daimler AG. “In combination with perfect proportions and sensual surface design, the upcoming generation of the compact class has the potential to herald a new design era. Design is also the art of omission: the days of creases are over.”

With the “Aesthetics A” sculpture, the design team now presents the vision of a saloon car in the compact car segment which is stripped down to the essential body. It also provides a clear indication of how the design philosophy of Sensual Purity will be manifested in the not too distant future. The “Aesthetics A” sculpture embodies the advancement of the Mercedes-Benz design idiom.

Aesthetics A: The expressive and confident red as a new signature Mercedes-Benz colour underscores the sensuality and emotion of the sculpture.

Sensuality and emotion.

Rather than modifying the basic shape with lines and creases, the Mercedes-Benz designers employ sweeping surfaces at angles to each other to contour the body design with light and shadow and to emphasise the proportions. This makes the essence of a body visible and communicates it in a credible way. The expressive and confident red as a new signature Mercedes-Benz colour underscores the sensuality and emotion of the sculpture. “Aesthetics A” has a three-box design and is thus also a sign of new forms in the compact class, because outside of Germany and Europe classic saloons are also very much in demand in this segment.

Design: Key success factor.

Mercedes-Benz design serves to showcase a passion for automobiles in a modern design idiom. The importance which Daimler AG attaches to design today was highlighted when the post of Chief Design Officer was established on 1 November 2016. Dr Dieter Zetsche, CEO of Daimler AG and Head of Mercedes-Benz Cars: “Good design is about much more than simply creating beautiful products: It combines functionality with fascination and gives brand values a distinctive form. We are delighted that our design team under the leadership of Gorden Wagener is among the best in the industry, because the excellent global sales of our vehicles is ultimately also due to their outstanding design.”

Aesthetics A and Gorden Wagener: Mercedes-Benz design serves to showcase a passion for automobiles in a modern design idiom.

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